Holley began his stone carving journey relatively recently,starting to carve stone in 2010. His early works focused on Oamaru limestone,
which he found appealing because it was easy to work with using woodworking tools. This accessible entry point into stone carving allowed him to develop
his skills before progressing to more challenging materials.

A significant milestone in his artistic development came in2013 when he participated in his first stone carving symposium. This experience
proved transformative, as later that same year he was asked to organize and run a stone carving symposium in Ashburton. His success in this endeavor led to him
organizing three biennial symposiums in total[1], establishing him as not just practitioner but also a leader in the New Zealand stone carving community.

Holley has been an active participant in prestigious stonecarving symposiums, most notably the Te Kupenga International Stone Sculpture
Symposium in New Plymouth. This biennial event brings together international, national, and local sculptors to work with local Andesite boulders on the New
Plymouth foreshore.

Holley uses stone not to build monuments to himself, but tocarve portals*—where material, maker, and viewer meet in shared reverence for
time, earth, and the quiet dignity of showing up.

"My work begins where hands meet ancientstone—Rarotonga’s basalt, formed in fire and cooled by ocean winds. I listen to
what the rock whispers: stories of volcanic birth, centuries of rain, the weight of time. Carving is a conversation with history. It’s not about forcing
shape, but uncovering what’s already there. As we grow older, we learn that true depth comes from ‘doing the work’—showing up, breathing through
resistance, honoring the raw and the refined. Each piece holds that intention. These sculptures aren’t just objects; they’re touchstones for stillness. When
you hold one, you’re holding a fragment of the island’s soul… and a quiet reminder that beauty emerges when we embrace the journey, not just the
destination.

Physical anchors that invite quiet contemplation"

Symposium - Brent Holley Sculpture

"To be brave enough"

To leave the comfort we know and embark on a journey that will challenge our very being. Toa (Iron wood) 2.4m Tatai Honoga Carving Symposium 2024 Rarotonga Cook Islands

"Sustainable Journey"

The Vaka (Waka) form is the journey to a sustainable future. The interlinks form is the tree parts of sustainability Economic, environmental and social Taranaki Andesite Te Kupenga international stone symposium 2020 New Plymouth New Zealand

"Resonance"

Taranaki Andesite Stainless steel legs&#39; Te Kupenga international stone symposium 2020 New Plymouth New Zealand

"Emergence"

Taranaki Andesite Te Kupenga international stone symposium 2018 New Plymouth New Zealand

"Continuous"

Taranaki Andesite Steel Base Stainless steel mirror Te Kupenga International stone symposium 2018 New Plymouth New Zealand

"Dancing Graces"

Inspiration from the Three Graces and The Dancing Nymphs Taranaki Andesite Te Kupenga International Stone Symposium 2016 New Plymouth New Zealand

"Trinity" (endless knot)

Endless Knot Taranaki Andesite Steel base Te Kupenga international stone symposium 2016 New Plymouth New Zealand

Brent Holley

"Much of the inspiration for my work comes from the contemplation of life’s journey"

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Gallery

Taranaki Andesite Stainless steel legs' Te Kupenga international stone symposium 2020 New Plymouth New Zealand